Ever since the huge literary success of "Tuesdays with Morrie," Mitch Albom has been trying to reach the same level of storytelling magic. His five books that followed "Tuesdays with Morrie" were each wonderful in their own unique way, but seemed to lack the passion of his masterpiece. The recurring themes in his follow-up novels have all given tips of the hat to his magnum opus about Brandeis professor Morrie Schwartz -- mentorship, death and dying, faith and spirituality, and leaving a legacy -- but they just didn't have the same best seller qualities.
Now, Albom follows up his recent book about phone calls from the beyond ("The First Phone Call From Heaven," 2013) with a new novel that seems to weave all of his themes into one volume. With "The Magic Strings of Frankie Pesto" (Harper), Albom has taken his writing to a whole new level. He was at his best when writing about his personal heroes -- a dying college professor and a dying childhood rabbi -- but this book is Albom's first about his lifelong passion of music.
I've grown up reading Mitch Albom's sports columns in the Detroit Free Press and was a fan of his early books (all sports-related) long before "Tuesdays with Morrie" came out in 1997. Anyone who has followed Albom's writings and his local Detroit radio show knows that he knows a lot about sports, but he's most enthusiastic about music. So, it makes perfect sense that the narrator of his newest book is Music (the concept of music personified).
On the second page of the book, Albom, a talented musician who plays in a band, is already making beautiful music with the written word. He introduces our narrator in a rhythmic crafting of verse: "I am Music. And I am here for the soul of Frankie Presto. Not all of it. Just the rather large part he took from me when he came into this world. However well used, I am a loan, not a possession. You give me back upon departure."
Now, Albom follows up his recent book about phone calls from the beyond ("The First Phone Call From Heaven," 2013) with a new novel that seems to weave all of his themes into one volume. With "The Magic Strings of Frankie Pesto" (Harper), Albom has taken his writing to a whole new level. He was at his best when writing about his personal heroes -- a dying college professor and a dying childhood rabbi -- but this book is Albom's first about his lifelong passion of music.
I've grown up reading Mitch Albom's sports columns in the Detroit Free Press and was a fan of his early books (all sports-related) long before "Tuesdays with Morrie" came out in 1997. Anyone who has followed Albom's writings and his local Detroit radio show knows that he knows a lot about sports, but he's most enthusiastic about music. So, it makes perfect sense that the narrator of his newest book is Music (the concept of music personified).
On the second page of the book, Albom, a talented musician who plays in a band, is already making beautiful music with the written word. He introduces our narrator in a rhythmic crafting of verse: "I am Music. And I am here for the soul of Frankie Presto. Not all of it. Just the rather large part he took from me when he came into this world. However well used, I am a loan, not a possession. You give me back upon departure."